Quotation by Russell Lynes

Improvisation was the blood and bone of jazz, and in the classic, New Orleans jazz it was collective improvisation in which each performer, seemingly going his own melodic way, played in harmony, dissonance, or counterpoint with the improvisations of his colleagues. Quite unlike ragtime, which was written down in many cases by its composers and could be repeated note for note (if not expression for expression) by others, jazz was a performer's not a composer's art.
Russell Lynes (1910–1991), U.S. editor, critic. "From Ragtime to Riches," The Lively Audience: A Social History of the Visual and Performing Arts in America, Harper & Row (1985).
Surprise me with a
The Columbia World of Quotations © 1996, Columbia University Press.
Licensed from Columbia University Press. All rights reserved. Except as otherwise permitted by written agreement, the following are prohibited: copying substantial portions or the entirety of the work in machine readable form, making multiple printouts thereof, and other uses of the work inconsistent with U.S. and applicable foreign copyright and related laws.
Copyright ©  2014 Dictionary.com, LLC. All rights reserved.
About PRIVACY POLICY Terms Careers Advertise with Us Contact Us Suggest a Word Help