It is of the essence of imaginative culture that it transcends the limits both of the naturally possible and of the morally accept...able.LESSATTRIBUTION DETAIL »
Culture's essential service to a religion is to destroy intellectual idolatry, the recurrent tendency in religion to replace the o...bject of its worship with its present understanding and forms of approach to that object.LESSATTRIBUTION DETAIL »
Between religion's "this is" and poetry's "but suppose this is," there must always be some kind of tension, until the possible and... the actual meet at infinity.LESSATTRIBUTION DETAIL »
It is clear that all verbal structures with meaning are verbal imitations of that elusive psychological and physiological process ...known as thought, a process stumbling through emotional entanglements, sudden irrational convictions, involuntary gleams of insight, rationalized prejudices, and blocks of panic and inertia, finally to reach a completely incommunicable intuition.LESSATTRIBUTION DETAIL »
A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak ...in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.LESSATTRIBUTION DETAIL »
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"... or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.LESSATTRIBUTION DETAIL »
A tragic or comic plot is not a straight line: it is a parabola following the shapes of the mouths on the conventional masks. Come...dy has a U-shaped plot, with the action sinking into deep and often potentially tragic complications, and then suddenly turning upward into a happy ending. Tragedy has an inverted U, with the action rising in crisis to a peripety and then plunging downward to a catastrophe through a series of recognitions, usually of the inevitable consequences of previous acts. But in both cases what is recognized is seldom anything new; it is something which has been there all along, and which, by its reappearance or manifestation, brings the end into line with the beginning.LESSATTRIBUTION DETAIL »
Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as ...a new generation grows up; then it begins to merge into the softer lighting of "quaint," and cultivated people become interested in it, and finally it begins to take on the archaic dignity of the primitive.LESSATTRIBUTION DETAIL »
Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is log...ically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.LESSATTRIBUTION DETAIL »