Both the Moral Majority, who are recycling medieval language to explain AIDS, and those ultra-leftists who attribute AIDS to some ...sort of conspiracy, have a clearly political analysis of the epidemic. But even if one attributes its cause to a microorganism rather than the wrath of God, or the workings of the CIA, it is clear that the way in which AIDS has been perceived, conceptualized, imagined, researched and financed makes this the most political of diseases.LESSATTRIBUTION DETAIL »
Adolescence has been recognised as a stage of human development since medieval times--long, long before the industrial revolution-...-and, as it is now, has long been seen as a phase which centers on the fusion of sexual and social maturity. Indeed, adolescence as a concept has as long a history as that of puberty, which is sometimes considered more concrete, and hence much easier to name and to recognize.LESSATTRIBUTION DETAIL »
In medieval society the idea of childhood did not exist; this is not to suggest that children were neglected, forsaken or despised.... The idea of childhood is not to be confused with affection for children; it corresponds to an awareness of the particular nature of childhood, that particular nature which distinguishes the child from he adult, even the young adult. . . . That is why, as soon as the child could live without the constant solicitude of his mother, his nanny or his cradle- rocker, he belonged to adult society.LESSATTRIBUTION DETAIL »
Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the ...child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.LESSATTRIBUTION DETAIL »
The history of theater from the medieval period until the nineteenth century has been in large part a history of further and furth...er separations of the scene of dramatic action from the physical situation of the audience. Even as the subject matter--in the plays of Ibsen, Chekhov, and Strindberg--became more and more continuous with the life of the audience, the stage itself pulled in its apron, emphasized its proscenium, and became a room with an invisible fourth wall, allowing the audience to look in, while keeping it more definitely outside. The progress of film was the reverse. From the stylized and theatrical settings of the early dramas, silent films moved into greater and greater involvement with the actors. Previously the audience saw actors from a distance, with a sense of tableau and formal separation. Although they seemed to be like us, they were not: silent, hieratic, caught in frightened frenzies of comedy, tragedy, and melodrama.LESSATTRIBUTION DETAIL »
Doubtless the main difference between the novel and the romance is the way in which they view reality. The novel renders reality c...losely and in comprehensive detail. It takes a group of people and sets them going about the business of life. We come to see these people in their real complexity of temperament and motive. Character is more important than action or plot, and probably the tragic or comic actions of the narrative will have the primary purpose of enhancing our knowledge of and feeling for an important character, a group of characters, or a way of life.... By contrast the romance, following distantly the medieval example, feels free to render reality in less volume and detail. It tends to prefer action to character, and action will be freer in a romance than in a novel, encountering, as it were, less resistance from reality.LESSATTRIBUTION DETAIL »
The Renaissance was, as much as anything, a revolt from the logic of the Middle Ages. We speak of the Renaissance as the birth of ...rationalism; it was in many ways the birth of irrationalism. It is true that the medieval Schoolmen, who had produced the finest logic that the world has ever seen, had in later years produced more logic than the world can ever be expected to stand. They had loaded and lumbered up the world with libraries of mere logic; and some effort was bound to be made to free it from such endless chains of deduction. Therefore, there was in the Renaissance a wild touch of revolt, not against religion but against reason.... When all is said, there is something a little sinister in the number of mad people in Shakespeare. We say that he uses his fools to brighten the dark background of tragedy; I think he sometimes uses them to darken it.LESSATTRIBUTION DETAIL »
While enclosed shopping malls suspended space, time, and weather, Disneyland went one step further and suspended reality. Any geog...raphic, cultural, or mythical location, whether supplied by fictional texts (Tom Sawyer's Island), historical locations (New Orleans Square), or futuristic projections (Space Mountain), could be reconfigured as a setting for entertainment. Shopping malls easily adapted this appropriation of "place" in the creation of a specialized theme environment. In Scottsdale, the Borgata, an open-air shopping mall set down in the flat Arizona desert, reinterprets the medieval Tuscan hill town of San Gimignano with piazza and scaled-down towers (made of real Italian bricks).LESSATTRIBUTION DETAIL »
The Christos-image is most difficult to disentangle... from its art-craft junk-shop paint-and-plaster medieval jumble of pain-worship and death-symbol.LESSATTRIBUTION DETAIL »