The Renaissance was, as much as anything, a revolt from the logic of the Middle Ages. We speak of the Renaissance as the birth of ...rationalism; it was in many ways the birth of irrationalism. It is true that the medieval Schoolmen, who had produced the finest logic that the world has ever seen, had in later years produced more logic than the world can ever be expected to stand. They had loaded and lumbered up the world with libraries of mere logic; and some effort was bound to be made to free it from such endless chains of deduction. Therefore, there was in the Renaissance a wild touch of revolt, not against religion but against reason.... When all is said, there is something a little sinister in the number of mad people in Shakespeare. We say that he uses his fools to brighten the dark background of tragedy; I think he sometimes uses them to darken it.LESSATTRIBUTION DETAIL »
The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the R...oman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.LESSATTRIBUTION DETAIL »
People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, b...ut, instead, huddled together in traffic jams, bus queues, on escalators and so on. It's a new kind of togetherness which may seem totally alien, but it's the togetherness of modern technology.LESSATTRIBUTION DETAIL »
The contrast between Leonardo and Michelangelo is an allegory of the arts of modern times. Leonardo left copious notes of his obse...rvations on nature and the world around him, but little about his feelings or his inner life. Michelangelo, in his letters, his poetry, in biographies by his friends and students Vasari and Condivi, in conversations with Francisco de Hollanda and others, left us vivid revelations and eloquent chronicles of himself. Leonardo, the self-styled "disciple of experience," was a hero of the effort to re-create the world from the shapes and forms and sensations out there. But Michelangelo, prophet of the sovereign self, found mysterious resources within. These two greatest figures of Italian Renaissance art dramatized a modern movement from craftsman to artist. If Leonardo could be called the Aristotle--practical-minded organizer and surveyor of experience--Michelangelo would be the Plato, seeker after the perfect idea.LESSATTRIBUTION DETAIL »
In Italy, for thirty years, under the Borgias, they had warfare, terror, murder and bloodshed. But they produced Michelangelo, Leo...nardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, and they had five hundred years of democracy and peace, and what did that produce? The cuckoo clock.LESSATTRIBUTION DETAIL »
[During the Renaissance] the Italians said, "We are one in the Father: we will go back." The Northern races said, "We are one in C...hrist, we will go on."LESSATTRIBUTION DETAIL »
From the standpoint of the typical modern, Protestantism and Renaissance are merely two different movements in the direction of in...dividual freedom, the only difference between them being that the latter is a little more congenial to the modern spirit than the former. The real significance of the two movements lies in the fact that one represents the final development of individuality within terms of the Christian religion and the other an even further development of individuality beyond the limits set in the Christian religion, that is, the development of the "autonomous" individual. It is this autonomous individual who really ushers in modern civilization and who is completely annihilated in the final stages of that civilization.LESSATTRIBUTION DETAIL »