For although memories, of a season, for example, Melt into a single snapshot, one cannot guard, treasure... That stalled moment. It too is flowing, fleeting; It is a picture of flowing, scenery, though living, mortal, Over which an abstract action is laid out in blunt, Harsh strokes.LESSATTRIBUTION DETAIL »
Analogies between the stage and the screen assume that they deal with the same material. But they don't. The material of the scree...n is not actual objects but images fixed on the film. And the very fact that they have their being on film endows these images with properties which are never found in actual objects. For instance, on the stage the actor moves in real space and time. He cannot even cross the room without performing a definite number of movements. On the screen an action may be shown only in terminal points with all its intervening moments left out. Similarly, in watching a performance on the stage the spectator is governed by the actual conditions of space and time. Not so in the case of the movie spectator. Thanks to the moving camera he is able to view the scene from all kinds of angles, leaping from a long-distance view to a close-range inspection of every detail. It is obvious that with this extraordinary power of handling space and time--by elimination and emphasis, according to its dramatic needs--the motion picture can never be content with modeling itself after the stage.LESSATTRIBUTION DETAIL »
In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift f...rom objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.LESSATTRIBUTION DETAIL »
Unthinking people speak of the motion picture as the medium of "action"; the truth is that the stage is the medium of action while... the screen is the medium of reaction. It is through identification with the person acted upon on the screen, and not with the person acting, that the film builds up its oscillating power with the audience. This is understood instinctively by expert film-makers, but to my knowledge it has never been formulated. At any emotional crisis in a film, when a character is saying something which profoundly affects another, it is to this second character that the camera instinctively roves, perhaps in close-up; and it is then that the hearts of the audience quiver and open in release, or rock with laughter or shrink with pain, leap to the screen and back again in swift-growing vibrations. The great actors of the stage are actors; of the screen, re-actors.LESSATTRIBUTION DETAIL »
In contrast to revenge, which is the natural, automatic reaction to transgression and which, because of the irreversibility of the... action process can be expected and even calculated, the act of forgiving can never be predicted; it is the only reaction that acts in an unexpected way and thus retains, though being a reaction, something of the original character of action.LESSATTRIBUTION DETAIL »
Remembering the Strait of Belle Isle or some northerly harbor of Labrador,... before he became a schoolteacher a great-uncle painted a big picture.LESSATTRIBUTION DETAIL »
Where, after all, do universal human rights begin? In small places, close to home--so close and so small that they cannot be seen ...on any map of the world. Yet they are the world of the individual person: The neighborhood he lives in; the school or college he attends; the factory, farm or office where he works. Such are the places where every man, woman and child seeks equal justice, equal opportunity, equal dignity without discrimination. Unless these rights have meaning there, they have little meaning anywhere. Without concerted citizen action to uphold them close to home, we shall look in vain for progress in the larger world.LESSATTRIBUTION DETAIL »
In Vietnam, some of us lost control of our lives. I want my life back. I almost feel like I've been missing in action for twenty-t...wo years.LESSATTRIBUTION DETAIL »