He saw Mr. Lincoln but once; at the melancholy function called an Inaugural Ball. Of course he looked anxiously for a sign of char...acter. He saw a long, awkward figure; a plain, ploughed face; a mind, absent in part, and in part evidently worried by white kid gloves; features that expressed neither self-satisfaction nor any other familiar Americanism, but rather the same painful sense of becoming educated and of needing education that tormented a private secretary, above all a lack of apparent force. Any private secretary in the least fit for his business would have thought, as Adams did, that no man living needed so much education as the new President but that all the education he could get would not be enough.LESSATTRIBUTION DETAIL »
O reason, reason, abstract phantom of the waking state, I had already expelled you from my dreams, now I have reached a point wher...e those dreams are about to become fused with apparent realities: now there is only room here for myself.LESSATTRIBUTION DETAIL »
Therefore bivouac we On this great, blond highway, unimpeded by... Veiled scruples, worn conundrums. Morning is Impermanent. Grab sex things, swing up Over the horizon like a boy On a fishing expedition.LESSATTRIBUTION DETAIL »
The catastrophe Buried in the stair carpet stayed there... And never corrupted anybody. And one day he grew up, and the horizon Stammered politely. The sky was like muslin. And still in the old house no one ever answered the bell.LESSATTRIBUTION DETAIL »
If you have ever watched an artist constructing with bits of cold stone a beautiful living picture you know that he works faithful...ly and carefully on the pattern from the wrong side and while he is working every inequality, every tint a little too dull is apparent to him as his picture grows, but he works on and on. And even when he finishes at last and looks down at the completed pattern he is not discouraged to see here a little crevice and there a little roughness, an open seam here, a tiny patch there where the bit of marble was too small. Now he pours his cement over it and smoothes [sic] it into every seam, and with faith puts his work to dry. Next day the pattern is turned and the perfect whole is given to view, needing only the polishing of a loving hand to make it ready to slip in place. So we should work faithfully on our pattern, cement it together with ourselves, and polish it with human kindness; and lo! the work slips into place seemingly a perfect whole.LESSATTRIBUTION DETAIL »
The criterion which we use to test the genuineness of apparent statements of fact is the criterion of verifyability. We say that a... sentence is factually significant to any given person, if, and only if, he knows how to verify the proposition which it purports to express--that is, if he knows what observations would lead him, under certain conditions, to accept the proposition as true, or reject it as being false.... To make our position clearer, we may formulate it in another way. Let us call a proposition which records an actual or possible observation an experiential proposition. Then we may say that it is the mark of a genuine factual proposition, not that it should be equivalent to an experiential proposition, or any finite number of experiential propositions, but simply that some experiential propositions can be deduced from it in conjunction with certain other premises without being deducible from those other premises alone.LESSATTRIBUTION DETAIL »
The apparent rulers of the English nation are like the imposing personages of a splendid procession: it is by them the mob are inf...luenced; it is they whom the spectators cheer. The real rulers are secreted in second-rate carriages; no one cares for them or asks after them, but they are obeyed implicitly and unconsciously by reason of the splendour of those who eclipsed and preceded them.LESSATTRIBUTION DETAIL »
A language is therefore a horizon, and style a vertical dimension, which together map out for the writer a Nature, since he does n...ot choose either. The language functions negatively, as the initial limit of the possible, style is a Necessity which binds the writer's humour to his form of expression. In the former, he finds a familiar History, in the latter, a familiar personal past. In both cases he deals with a Nature, that is, a familiar repertory of gestures, a gestuary, as it were, in which the energy expended is purely operative, serving here to enumerate, there to transform, but never to appraise or signify a choice.LESSATTRIBUTION DETAIL »
Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and i...n ecstatic love.LESSATTRIBUTION DETAIL »
The more a man cultivates the arts the less he fornicates. A more and more apparent cleavage occurs between the spirit and the bru...te.LESSATTRIBUTION DETAIL »