The history of theater from the medieval period until the nineteenth century has been in large part a history of further and furth...er separations of the scene of dramatic action from the physical situation of the audience. Even as the subject matter--in the plays of Ibsen, Chekhov, and Strindberg--became more and more continuous with the life of the audience, the stage itself pulled in its apron, emphasized its proscenium, and became a room with an invisible fourth wall, allowing the audience to look in, while keeping it more definitely outside. The progress of film was the reverse. From the stylized and theatrical settings of the early dramas, silent films moved into greater and greater involvement with the actors. Previously the audience saw actors from a distance, with a sense of tableau and formal separation. Although they seemed to be like us, they were not: silent, hieratic, caught in frightened frenzies of comedy, tragedy, and melodrama.LESSATTRIBUTION DETAIL »
Aesthetically at odds, these two genres of mass humor form a Janus face of American culture. Stand-up is a surviving bastion of in...dividual expression. The comedian confronts the audience with his or her personality and wins celebration--the highest form of acceptance--or is scorned and rebuffed as a pitiable outsider. The heckler, the mood of the audience, or the temperature of the room cannot always be handled through quality control. Even when presented electronically, the jokes of a stand-up monologue cannot be underlined by canned laughter without the manipulation thoroughly exposing itself.... The sitcom, by contrast, is the technology of the assembly-line brought to art. Even when live audiences are used, their reactions are "sweetened" with carefully calculated titters, chortles, and guffaws. Large sums of investment capital must be assembled to produce a sitcom; all factors must be controlled by recognized experts.LESSATTRIBUTION DETAIL »
When, said Mr. Phillips, he communicated to a New Bedford audience, the other day, his purpose of writing his life, and telling hi...s name, and the name of his master, and the place he ran from, the murmur ran round the room, and was anxiously whispered by the sons of the Pilgrims, "He had better not!" and it was echoed under the shadow of the Concord monument, "He had better not!"LESSATTRIBUTION DETAIL »
There's a theory, one I find persuasive, that the quest for knowledge is, at bottom, the search for the answer to the question: "W...here was I before I was born." In the beginning was ... what? Perhaps, in the beginning, there was a curious room, a room like this one, crammed with wonders; and now the room and all it contains are forbidden you, although it was made just for you, had been prepared for you since time began, and you will spend all your life trying to remember it.LESSATTRIBUTION DETAIL »
The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach th...e white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.LESSATTRIBUTION DETAIL »
The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern o...f the artist and the bafflement of the public.LESSATTRIBUTION DETAIL »