How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the dogho
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As the artist
extends his world with ...
extends his world with ...
Fair is the world.
I sing. The ache ...
I sing. The ache ...
At it in its familiar twang: "My friend,
Cut your own throat. Cut your own throat. Now! Now!" ...
Cut your own throat. Cut your own throat. Now! Now!" ...
In our man-of-war world, Life comes in at one gangway and Death goes overboard at the other. Under the man-of-war scourge, curses
...
Ring out, ye crystal spheres,
Once bless our human ears ...
Once bless our human ears ...
This autumnal festival, when men are gathered in crowds in the streets as regularly and by as natural a law as the leaves cluster
...
He plays o'the viol-de-gamboys, and speaks three or four languages word for word without book, and hath all the good gifts of natu
...
I was the horse and the rider,
and the leather I slapped to his rump
spanked my own behind.
and the leather I slapped to his rump
spanked my own behind.
quiet, negligent riding,
my toes standing the stirrups,
my thighs hugging his ribs.
my toes standing the stirrups,
my thighs hugging his ribs.
The Columbia World of Quotations © 1996, Columbia University Press.
Licensed from Columbia University Press. All rights reserved. Except as otherwise permitted by written agreement, the following are prohibited: copying substantial portions or the entirety of the work in machine readable form, making multiple printouts thereof, and other uses of the work inconsistent with U.S. and applicable foreign copyright and related laws.
Licensed from Columbia University Press. All rights reserved. Except as otherwise permitted by written agreement, the following are prohibited: copying substantial portions or the entirety of the work in machine readable form, making multiple printouts thereof, and other uses of the work inconsistent with U.S. and applicable foreign copyright and related laws.
