Madame d'Estampes and Madame de Valentinois make me fear that I should be only honoured by my husband as a queen and not loved by ...him as a woman.LESSATTRIBUTION DETAIL »
Authors communicate with the people by some special extrinsic mark; I am the first to do so by my entire being, as Michel de Monta...igne.LESSATTRIBUTION DETAIL »
The first typical adolescent of modern times was Wagner's Siegfried. : the music of Siegfried expressed for the first time that co...mbination of (provisional) purity, physical strength, naturism, spontaneity and joie de vivre which was to make the adolescent the hero of our twentieth century, the century of adolescence.LESSATTRIBUTION DETAIL »
In France, and at the most important period of our history, Catherine de' Medici has suffered more from popular error than any oth...er woman, unless it be Brunehaut or Frédégonde; while Marie de' Medici, whose every action was prejudicial to France, has escaped the disgrace that should cover her name.... Catherine de' Medici ... saved the throne of France, she maintained [the] Royal authority under circumstances to which more than one great prince would have succumbed. Face to face with such leaders of the factions and ambitions of the houses of Guise and of Bourbon as the two Cardinals de Lorraine and the two "Balafrès," the two Princes de Condé, Queen Jeanne d'Albret, Henri IV, the Connétable de Montmorency, Calvin, the Colignys and Théodore de Bèze, she was forced to put forth the rarest fine qualities, the most essential gifts of statesmanship, under the fire of the Calvinist press.LESSATTRIBUTION DETAIL »
The contrast between Leonardo and Michelangelo is an allegory of the arts of modern times. Leonardo left copious notes of his obse...rvations on nature and the world around him, but little about his feelings or his inner life. Michelangelo, in his letters, his poetry, in biographies by his friends and students Vasari and Condivi, in conversations with Francisco de Hollanda and others, left us vivid revelations and eloquent chronicles of himself. Leonardo, the self-styled "disciple of experience," was a hero of the effort to re-create the world from the shapes and forms and sensations out there. But Michelangelo, prophet of the sovereign self, found mysterious resources within. These two greatest figures of Italian Renaissance art dramatized a modern movement from craftsman to artist. If Leonardo could be called the Aristotle--practical-minded organizer and surveyor of experience--Michelangelo would be the Plato, seeker after the perfect idea.LESSATTRIBUTION DETAIL »
There is a social respect necessary in company: you may start your own subject of conversation with modesty, taking care, however,... de ne jamais parler de cordes dans la maison d'un pendu.LESSATTRIBUTION DETAIL »
The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that wo...rks through unwritten agreements between real estate dealers, school officials, and local politicians.LESSATTRIBUTION DETAIL »
Et Saint Apollinaire, raide et ascétique, Vieille usine désaffectée de Dieu, tient encore... Dans ses pierres éecroulantes la forme précise de Byzance.LESSATTRIBUTION DETAIL »