... life cannot be administered by definite rules and regulations; that wisdom to deal with a man's difficulties comes only throug...h some knowledge of his life and habits as a whole ...LESSATTRIBUTION DETAIL »
Our tradition of political thought had its definite beginning in the teachings of Plato and Aristotle. I believe it came to a no l...ess definite end in the theories of Karl Marx.LESSATTRIBUTION DETAIL »
... the loss of belief in future states is politically, though certainly not spiritually, the most significant distinction between... our present period and the centuries before. And this loss is definite. For no matter how religious our world may turn again, or how much authentic faith still exists in it, or how deeply our moral values may be rooted in our religious systems, the fear of hell is no longer among the motives which would prevent or stimulate the actions of a majority.LESSATTRIBUTION DETAIL »
Forced labor as a punishment is limited as to time and intensity. The convict retains his rights over his body; he is not absolute...ly tortured and he is not absolutely dominated. Banishment banishes only from one part of the world to another part of the world, also inhabited by human beings; it does not exclude from the human world altogether. Throughout history slavery has been an institution within a social order; slaves were not, like concentration-camp inmates, withdrawn from the sight and hence the protection of their fellow-men; as instruments of labor they had a definite price and as property a definite value. The concentration-camp inmate has no price, because he can always be replaced; nobody knows to whom he belongs, because he is never seen. From the point of view of normal society he is absolutely superfluous.LESSATTRIBUTION DETAIL »
A few days ago, while seated snugly in an airplane seat on my way back to New York from Chicago,... it occurred to me that a rathe...r striking similarity existed between the situation I found myself in then, flying in a modern airplane, and what I've often felt as I watch television. To begin with, both experiences are largely passive, or at any rate they have been transformed into passive experiences. But this shared passivity is itself more complicated than it seems, for though it produces in both cases an obvious condition of quiet and inactivity, it also demands from the passenger or viewer a very definite emotional commitment. One might call it a commitment to specifically nonaggressive and uninvolved behavior.LESSATTRIBUTION DETAIL »
Analogies between the stage and the screen assume that they deal with the same material. But they don't. The material of the scree...n is not actual objects but images fixed on the film. And the very fact that they have their being on film endows these images with properties which are never found in actual objects. For instance, on the stage the actor moves in real space and time. He cannot even cross the room without performing a definite number of movements. On the screen an action may be shown only in terminal points with all its intervening moments left out. Similarly, in watching a performance on the stage the spectator is governed by the actual conditions of space and time. Not so in the case of the movie spectator. Thanks to the moving camera he is able to view the scene from all kinds of angles, leaping from a long-distance view to a close-range inspection of every detail. It is obvious that with this extraordinary power of handling space and time--by elimination and emphasis, according to its dramatic needs--the motion picture can never be content with modeling itself after the stage.LESSATTRIBUTION DETAIL »
Anxiety is not fear, being afraid of this or that definite object, but the uncanny feeling of being afraid of nothing at all. It i...s precisely Nothingness that makes itself present and felt as the object of our dread.LESSATTRIBUTION DETAIL »
An honest appraisal of the respective pleasures derived from theater and cinema, at least as to what is less intellectual and more... direct about them, forces us to admit that the delight we experience at the end of a play has a more uplifting, a nobler, one might perhaps say a more moral, effect than the satisfaction which follows a good film. We seem to come away with a better conscience. In a certain sense it is as if for the man in the audience all theater is "Corneillian." From this point of view one could say that in the best films something is missing. It is as if a certain inevitable lowering of the voltage, some mysterious aesthetic short circuit, deprived us in the cinema of a certain tension which is a definite part of theater. No matter how slight this difference it undoubtedly exists, even between the worst charity production in the theater and the most brilliant of Olivier's film adaptations.LESSATTRIBUTION DETAIL »
I don't want to be an alarmist, but I think that the Younger Generation is up to something.... I base my apprehension on nothing m...ore definite than the fact that they are always coming in and going out of the house, without any apparent reason.LESSATTRIBUTION DETAIL »
No man ever looks at the world with pristine eyes. He sees it edited by a definite set of customs and institutions and ways of thi...nking.LESSATTRIBUTION DETAIL »