A new kind of woman with deep-rooted values is changing the way we live. Market researchers call it "neo-traditionalism." To us it...'s a woman who has found her identity in herself, her home, her family.... She is part of an extraordinary social movement that is profoundly changing the way Americans look at living--and the way products are marketed. The home is again the center of American life, oatmeal is back on the breakfast table, families are vacationing together, watching movies at home, playing Monopoly again. Even the perfume ads are suddenly glorifying commitment.LESSATTRIBUTION DETAIL »
Known commonly as the jackass, this long-eared little creature is respected throughout the southwest--roundly cursed yet respected...--and here he is usually referred to by his Spanish name, burro. Because of his extraordinary bray, he is sometimes ironically called the "Arizona Nightingale."LESSATTRIBUTION DETAIL »
... suffering does not ennoble. It destroys. To resist destruction, self-hatred, or lifelong hopelessness, we have to throw off th...e conditioning of being despised, the fear of becoming the they that is talked about so dismissively, to refuse lying myths and easy moralities, to see ourselves as human, flawed, and extraordinary. All of us--extraordinary.LESSATTRIBUTION DETAIL »
Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe. You... see someone on the street and essentially what you notice about them is the flaw. It's just extraordinary that we should have been given these peculiarities.... Something is ironic in the world and it has to do with the fact that what you intend never comes out like you intend it.LESSATTRIBUTION DETAIL »
Some certified nut Will try to tell you it's poetry,... (It's extraordinary, it makes a great deal of sense) But watch out or he'll start with some New notion or other....LESSATTRIBUTION DETAIL »
Analogies between the stage and the screen assume that they deal with the same material. But they don't. The material of the scree...n is not actual objects but images fixed on the film. And the very fact that they have their being on film endows these images with properties which are never found in actual objects. For instance, on the stage the actor moves in real space and time. He cannot even cross the room without performing a definite number of movements. On the screen an action may be shown only in terminal points with all its intervening moments left out. Similarly, in watching a performance on the stage the spectator is governed by the actual conditions of space and time. Not so in the case of the movie spectator. Thanks to the moving camera he is able to view the scene from all kinds of angles, leaping from a long-distance view to a close-range inspection of every detail. It is obvious that with this extraordinary power of handling space and time--by elimination and emphasis, according to its dramatic needs--the motion picture can never be content with modeling itself after the stage.LESSATTRIBUTION DETAIL »
Man has lost the basic skill of the ape, the ability to scratch its back. Which gave it extraordinary independence, and the libert...y to associate for reasons other than the need for mutual back-scratching.LESSATTRIBUTION DETAIL »
If we admit a thing so extraordinary as the creation of this world, it should seem that we admit something strange, and odd, and n...ew to human apprehension, beyond any other miracle whatsoever.LESSATTRIBUTION DETAIL »