Predictions of the future are never anything but projections of present automatic processes and procedures, that is, of occurrence...s that are likely to come to pass if men do not act and if nothing unexpected happens; every action, for better or worse, and every accident necessarily destroys the whole pattern in whose frame the prediction moves and where it finds its evidence.LESSATTRIBUTION DETAIL »
Analogies between the stage and the screen assume that they deal with the same material. But they don't. The material of the scree...n is not actual objects but images fixed on the film. And the very fact that they have their being on film endows these images with properties which are never found in actual objects. For instance, on the stage the actor moves in real space and time. He cannot even cross the room without performing a definite number of movements. On the screen an action may be shown only in terminal points with all its intervening moments left out. Similarly, in watching a performance on the stage the spectator is governed by the actual conditions of space and time. Not so in the case of the movie spectator. Thanks to the moving camera he is able to view the scene from all kinds of angles, leaping from a long-distance view to a close-range inspection of every detail. It is obvious that with this extraordinary power of handling space and time--by elimination and emphasis, according to its dramatic needs--the motion picture can never be content with modeling itself after the stage.LESSATTRIBUTION DETAIL »
...a fixed aim furnishes us with a fixed measure, by which we can decide whether such or such an action proposed is worth trying f...or or not, and as aims must vary with the individual, the decisions of any two people as to the desirableness of an action may not be the same.LESSATTRIBUTION DETAIL »
We are all familiar with the Aristotelian argument about the relation of poetry to action. Action, or praxis, is the world of even...ts; and history, in the broadest sense, may be called a verbal imitation of action, or events put in the forms of words. The historian imitates action directly; he makes specific statements about what happened, and is judged by the truth of what he says. What really happened is the external model of his pattern of words, and he is judged by the adequacy with which his words reproduce that model. The poet, in dramas and epics at least, also imitates actions in words, like the historian. But the poet makes no specific statements of fact, and hence is not judged by the truth or falsehood of what he says. The poet has no external model for his imitation, and is judged by the integrity or consistency of his verbal structure. The reason is that he imitates the universal, not the particular; he is concerned not with what happened but with what happens.LESSATTRIBUTION DETAIL »
The brave man is the elder son of creation who has stepped buoyantly into his inheritance, while the coward, who is the younger, w...aiteth patiently for his decease. He rides as wide of this earth's gravity as a star, and by yielding incessantly to all impulses of the soul is drawn upward and becomes a fixed star. His bravery consists not so much in resolute action as healthy and assured rest. Its palmy state is a staying at home, compelling alliance in all directions. So stands his life to heaven as some fair sunlit tree against the western horizon, and by sunrise is planted on some eastern hill to glisten in the first rays of the dawn.LESSATTRIBUTION DETAIL »
In contrast to revenge, which is the natural, automatic reaction to transgression and which, because of the irreversibility of the... action process can be expected and even calculated, the act of forgiving can never be predicted; it is the only reaction that acts in an unexpected way and thus retains, though being a reaction, something of the original character of action.LESSATTRIBUTION DETAIL »
The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they always ...have done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to.LESSATTRIBUTION DETAIL »
Where, after all, do universal human rights begin? In small places, close to home--so close and so small that they cannot be seen ...on any map of the world. Yet they are the world of the individual person: The neighborhood he lives in; the school or college he attends; the factory, farm or office where he works. Such are the places where every man, woman and child seeks equal justice, equal opportunity, equal dignity without discrimination. Unless these rights have meaning there, they have little meaning anywhere. Without concerted citizen action to uphold them close to home, we shall look in vain for progress in the larger world.LESSATTRIBUTION DETAIL »
In Vietnam, some of us lost control of our lives. I want my life back. I almost feel like I've been missing in action for twenty-t...wo years.LESSATTRIBUTION DETAIL »