My remembrance of the past is a novel I am constantly recomposing; and it would not be a historical novel, but sheer fiction, if t...he material events which mark and ballast my career had not their public dates and characters scientifically discoverable.LESSATTRIBUTION DETAIL »
An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits... depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.LESSATTRIBUTION DETAIL »
I have this very moment finished reading a novel called The Vicar of Wakefield [by Oliver Goldsmith].... It appears to me, to be i...mpossible any person could read this book through with a dry eye and yet, I don't much like it.... There is but very little story, the plot is thin, the incidents very rare, the sentiments uncommon, the vicar is contented, humble, pious, virtuous--but upon the whole the book has not at all satisfied my expectations.LESSATTRIBUTION DETAIL »
I said in my novel that the clergyman is a kind of human Sunday. Jones and I settled that my sister May was a kind of human Good F...riday and Mrs. Bovill an Easter Monday or some other Bank Holiday.LESSATTRIBUTION DETAIL »
The warning given to Louis XVI: "No, sire, this is not a rebellion, it is a revolution," accents the essential difference. It mean...s precisely that "it is the absolute certainty of a new form of government." Rebellion is, by nature, limited in scope. It is no more than an incoherent pronouncement. Revolution, on the contrary, originates in the realm of ideas. Specifically, it is the injection of ideas into historical experience, while rebellion is only the movement that leads from individual experience into the realm of ideas. While even the collective history of a movement of rebellion is always that of a fruitless struggle with facts, of an obscure protest which involves neither methods nor reasons, a revolution is an attempt to shape action to ideas, to fit the world into a theoretic frame. That is why rebellion kills men while revolution destroys both men and principles.LESSATTRIBUTION DETAIL »
Whatever is felt upon the page without being specifically named there--that, one might say, is created. It is the inexplicable pre...sence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.LESSATTRIBUTION DETAIL »
The American novel tends to rest in contradictions and among extreme ranges of experience. When it attempts to resolve contradicti...ons, it does so in oblique, morally equivocal ways. As a general rule, it does so either in melodramatic actions or in pastoral idylls, although intermixed with both one may find the stirring instabilities of "American humor." These qualities constitute the uniqueness of that branch of the novelistic tradi tion which has flourished in this country. They help to account for the strong element of "romance" in the American "novel." By contrast, the English novel has followed a middle way. It is notable for its great practical sanity, its powerful, engrossing composition of wide ranges of experience into a moral centrality and equability of judgment. Oddity, distortion of personality, dislocations of normal life, recklessness of behavior--these the English novel has included. Yet the profound poetry of disorder we find in the American novel is missing, with rare exceptions, from the English.LESSATTRIBUTION DETAIL »
Doubtless the main difference between the novel and the romance is the way in which they view reality. The novel renders reality c...losely and in comprehensive detail. It takes a group of people and sets them going about the business of life. We come to see these people in their real complexity of temperament and motive. Character is more important than action or plot, and probably the tragic or comic actions of the narrative will have the primary purpose of enhancing our knowledge of and feeling for an important character, a group of characters, or a way of life.... By contrast the romance, following distantly the medieval example, feels free to render reality in less volume and detail. It tends to prefer action to character, and action will be freer in a romance than in a novel, encountering, as it were, less resistance from reality.LESSATTRIBUTION DETAIL »
...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomp...lish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?LESSATTRIBUTION DETAIL »
Women hock their jewels and their husbands' insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why th...en is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.LESSATTRIBUTION DETAIL »