... we shall never become an immense power in the world until we concentrate all our money and editorial forces upon one great nat...ional daily newspaper, so we can sauce back our opponents every day in the year; once a month or once a week is not enough.LESSATTRIBUTION DETAIL »
She leet no morsel from hir lippes falle, Ne wette hir fyngres in hir sauce depe.... Wel koude she carie a morsel and wel kepe That no drope ne fille upon hire brest. In curteisie was set ful muchel hir lest.LESSATTRIBUTION DETAIL »
It has been an unchallengeable American doctrine that cranberry sauce, a pink goo with overtones of sugared tomatoes, is a delecta...ble necessity of the Thanksgiving board and that turkey is uneatable without it.... There are some things in every country that you must be born to endure; and another hundred years of general satisfaction with Americans and America could not reconcile this expatriate to cranberry sauce, peanut butter, and drum majorettes.LESSATTRIBUTION DETAIL »
Bill: I have champagne, caviar, marinated truffles, brilliant foie gras and half-a-dozen assorted Hungarian gypsies. Lili: So...unds delicious. Bill: I thought we'd go on a picnic. Lili: At three in the morning? Bill: It's the best time--no ants.LESSATTRIBUTION DETAIL »
In middle life each man wrote a long elegiac work centering on the death of someone very near his heart: Tennyson's In Memoriam su...rely corresponds to Brahms' German Requiem.... At the other extreme you will no doubt think of Brahms' fiery Hungarian dances and graceful Viennese waltzes: in the work of Tennyson there are similar pieces, in broad dialect with touches of rough comedy and unbuttoned jollity, in particular "The Northern Farmer." Between these extremes, in the work of each man, lies a single masterpiece, strange but characteristic. Tennyson's Maud is what he calls a monodrama, a set of lyrics spoken by one man, telling the story of tragic love. In 1869 Brahms lost the beautiful Julie Schumann: the result was his famous Alto Rhapsody, an extended lyric, in fact a monodrama on the agonies of loneliness in a heart thirsty for love. The nineteenth century was a nationalist era, so both Brahms and Tennyson wrote pieces we should now call jingoistic: they are seldom played or read today, but they are part of the total picture. For Brahms the best known was his Triumph Song, written after the German conquests of France. For Tennyson, it was "The Charge of the Light Brigade," and other galloping and shouting lyrics.LESSATTRIBUTION DETAIL »