How can anyone be interested in war?--that glorious pursuit of annihilation with its ceremonious bellowings and trumpetings over t...he mangling of human bones and muscles and organs and eyes, its inconceivable agonies which could have been prevented by a few well- chosen, reasonable words. How, why, did this unnecessary business begin? Why does anyone want to read about it--this redundant human madness which men accept as inevitable?LESSATTRIBUTION DETAIL »
The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even bellig...erence. It is seldom accepted as an inevitable outcome of the struggle won by survivors, and deserves respect if not enthusiastic acceptance.LESSATTRIBUTION DETAIL »
[Asked if American women would ever win full suffrage:] Assuredly. I firmly believed at one time that I should live to see that da...y. I have never for one moment lost faith. It will come but I shall not see it ... it is inevitable.LESSATTRIBUTION DETAIL »
It is change, continuing change, inevitable change, that is the dominant factor in society today. No sensible decision can be made... any longer without taking into account not only the world as it is, but the world as it will be.... This, in turn, means that our statesmen, our businessmen, our everyman must take on a science fictional way of thinking.LESSATTRIBUTION DETAIL »
An honest appraisal of the respective pleasures derived from theater and cinema, at least as to what is less intellectual and more... direct about them, forces us to admit that the delight we experience at the end of a play has a more uplifting, a nobler, one might perhaps say a more moral, effect than the satisfaction which follows a good film. We seem to come away with a better conscience. In a certain sense it is as if for the man in the audience all theater is "Corneillian." From this point of view one could say that in the best films something is missing. It is as if a certain inevitable lowering of the voltage, some mysterious aesthetic short circuit, deprived us in the cinema of a certain tension which is a definite part of theater. No matter how slight this difference it undoubtedly exists, even between the worst charity production in the theater and the most brilliant of Olivier's film adaptations.LESSATTRIBUTION DETAIL »
Human visual perception is a far more complex and selective process than that by which a film records. Nevertheless the camera len...s and the eye both register images--because of their sensitivity to light--at great speed and in the face of an immediate event. What the camera does, however, and what the eye in itself can never do is to fix the appearance of that event. It removes its appearance from the flow of appearances and it preserves it, not perhaps forever but for as long as the film exists. The essential character of this preservation is not dependent upon the image being static; unedited film rushes preserve in essentially the same way. The camera saves a set of appearances from the otherwise inevitable supercession of further appearances. It holds them unchanging. And before the invention of the camera nothing could do this, except, in the mind's eye, the faculty of memory.LESSATTRIBUTION DETAIL »