It is not surprising that the motion picture relies to a considerable extent on devices borrowed from the theatre. There are many ...superficial points of resemblance between the two arts. Films are shown in auditoriums which do not differ in any marked degree from other playhouses. Stage actors perform in films. Stage training is still regarded as a fairly satisfactory prerequisite for appearance before the camera. Actors, directors, and writers move from stage to screen with comparative ease and with what seems to be minor adjustments of their techniques and methods. It is often customary to draw a stage curtain back and forth to mark the beginning and end of the drama projected on the screen within the proscenium arch.LESSATTRIBUTION DETAIL »
Tired, she looked up the path... her lover would take as far as her eyes could see. On the roads, traffic ceased at the end of day as night slid over the sky. The traveller's pained wife took a single step towards home, said, "Could he not have come at this instant?" and quickly craning her neck around, looked up the path again.LESSATTRIBUTION DETAIL »
You haven't weighed the consequences for your love,... nor have you any regard for your friends. Why are you making such a jealous fuss now, prude, when it's too late? With your own hands You've brought down upon yourself these coals, their blazing points of flame as bright as Doomsday Fire. So enough now of your crying in the wilderness. You've erased the tracery on your cheek by covering it with your palm. Your sighs have kissed away the juice of your lower lip, tasty as nectar and at every instant, the tear that's stuck in your throat is making your sloping breasts tremble. Unkind girl, anger has become your lover, not I.LESSATTRIBUTION DETAIL »
If I were just curious, it would be very hard to say to someone, "I want to come to your house and have you talk to me and tell me... the story of your life." I mean people are going to say, "You're crazy." Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.LESSATTRIBUTION DETAIL »
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to kee...p on looking.LESSATTRIBUTION DETAIL »
Under a Presidential government, a nation has, except at the electing moment, no influence; it has not the ballot-box before it; i...ts virtue is gone, and it must wait till its instant of despotism again returns.LESSATTRIBUTION DETAIL »
Unpleasant questions are being raised about Mother's Day. Is this day necessary? . . . Isn't it bad public policy? . . . No politi...cian with half his senses, which a majority of politicians have, is likely to vote for its abolition, however. As a class, mothers are tender and loving, but as a voting bloc they would not hesitate for an instant to pull the seat out from under any Congressman who suggests that Mother is not entitled to a box of chocolates each year in the middle of May.LESSATTRIBUTION DETAIL »
Analogies between the stage and the screen assume that they deal with the same material. But they don't. The material of the scree...n is not actual objects but images fixed on the film. And the very fact that they have their being on film endows these images with properties which are never found in actual objects. For instance, on the stage the actor moves in real space and time. He cannot even cross the room without performing a definite number of movements. On the screen an action may be shown only in terminal points with all its intervening moments left out. Similarly, in watching a performance on the stage the spectator is governed by the actual conditions of space and time. Not so in the case of the movie spectator. Thanks to the moving camera he is able to view the scene from all kinds of angles, leaping from a long-distance view to a close-range inspection of every detail. It is obvious that with this extraordinary power of handling space and time--by elimination and emphasis, according to its dramatic needs--the motion picture can never be content with modeling itself after the stage.LESSATTRIBUTION DETAIL »
We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising..., the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.LESSATTRIBUTION DETAIL »