Blake and Goethe were individualists par excellence, uncompromisingly protective of their single vision. In both Faust Part II and... The Four Zoas, emphasis on the universality of the poet's message contrasts with the resistant texture of a compressed style and the striking complexity of the mythological machinery. Blake likes to emphasize that he is not writing for the simple-minded; Goethe takes a teasing pleasure in keeping philologists busy. Faust and The Four Zoas are dramatic epics of Humanity, but embodied in a mythic language whose uniqueness and quirkiness are jealously guarded. Blake never published The Four Zoas, though it culminates his early prophecies and provides the indispensable key to the later ones. And Goethe refused to allow Faust Part II to be printed in its entirety until after his death. Both poets postponed the public's discovery of their central works; secrecy was enforced as long as it could be.LESSATTRIBUTION DETAIL »
Has anyone ever told you that you overplay your various roles rather severely, Mr. Kaplan? First you're the outraged Madison Avenu...e man who claims he's been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn't commit. And now you play the peevish lover stung by jealously and betrayal. It seems to me you fellows could stand a little less training from the FBI and a little more from the Actors Studio.LESSATTRIBUTION DETAIL »
Whatever is contrary to established manners and customs is immoral. An immoral act or doctrine is not necessarily a sinful one: on... the contrary, every advance in thought and conduct is by definition immoral until it has converted the majority. For this reason it is of the most enormous importance that immorality should be protected jealously against the attacks of those who have no standard except the standard of custom, and who regard any attack on custom--that is, on morals--as an attack on society, on religion, and on virtue.LESSATTRIBUTION DETAIL »