Most women of [the WW II] generation have but one image of good motherhood--the one their mothers embodied. . . . Anything done "f...or the sake of the children" justified, even ennobled the mother's role. Motherhood was tantamount to martyrdom during that unique era when children were gods. Those who appeared to put their own needs first were castigated and shunned--the ultimate damnation for a gender trained to be wholly dependent on the acceptance and praise of others.LESSATTRIBUTION DETAIL »
What are the characters that I discern most clearly in the so-called Anglo-Saxon type of man? I may answer at once that two stick ...out above all others. One is his curious and apparently incurable incompetence--his congenital inability to do any difficult thing easily and well, whether it be isolating a bacillus or writing a sonata. The other is his astounding susceptibility to fears and alarms--in short, his hereditary cowardice.... There is no record in history of any Anglo-Saxon nation entering upon any great war without allies.LESSATTRIBUTION DETAIL »
Emperor Joseph II: Your work is ingenious. It's quality work, and there are simply too many notes, that's all. Just cut a few and ...it will be perfect. Mozart: Which few did you have in mind, majesty?LESSATTRIBUTION DETAIL »
Blake and Goethe were individualists par excellence, uncompromisingly protective of their single vision. In both Faust Part II and... The Four Zoas, emphasis on the universality of the poet's message contrasts with the resistant texture of a compressed style and the striking complexity of the mythological machinery. Blake likes to emphasize that he is not writing for the simple-minded; Goethe takes a teasing pleasure in keeping philologists busy. Faust and The Four Zoas are dramatic epics of Humanity, but embodied in a mythic language whose uniqueness and quirkiness are jealously guarded. Blake never published The Four Zoas, though it culminates his early prophecies and provides the indispensable key to the later ones. And Goethe refused to allow Faust Part II to be printed in its entirety until after his death. Both poets postponed the public's discovery of their central works; secrecy was enforced as long as it could be.LESSATTRIBUTION DETAIL »
Anglo-Saxon civilization has taught the individual to protect his own rights; American civilization will teach him to respect the ...rights of others.LESSATTRIBUTION DETAIL »
The King [Charles II] after the Restoration accused the poet, Edmund Waller, of having made finer verses in praise of Oliver Cromw...ell than of himself; to which he agreed, saying, that Fiction was the soul of Poetry.LESSATTRIBUTION DETAIL »
The lunatic is the man who lives in a small world but thinks it is a large one; he is the man who lives in a tenth of the truth, a...nd thinks it is the whole. The madman cannot conceive any cosmos outside a certain tale or conspiracy or vision. Hence the more clearly we see the world divided into Saxons and non-Saxons, into our splendid selves and the rest, the more certain we may be that we are slowly and quietly going mad. The more plain and satisfying our state appears, the more we may know that we are living in an unreal world. For the real world is not satisfying. The more clear become the colours and facts of Anglo-Saxon superiority, the more surely we may know we are in a dream.LESSATTRIBUTION DETAIL »
As a father I had some trouble finding the words to separate the person from the deed. Usually, when one of my sons broke the rule...s or a window, I was too angry to speak calmly and objectively. My own solution was to express my feelings, but in an exaggerated, humorous way: "You do that again and you will be grounded so long they will call you Rip Van Winkle II," or "If I hear that word again, I'm going to braid your tongue."LESSATTRIBUTION DETAIL »
The genius of the Saxon race, friendly to liberty; the enterprise, the very muscular vigor of this nation, are inconsistent with s...lavery.LESSATTRIBUTION DETAIL »