Our movement took a grip on cowardly Marxism and from it extracted the meaning of socialism. It also took from the cowardly middle...-class parties their nationalism. Throwing both into the cauldron of our way of life there emerged, as clear as a crystal, the synthesis--German National Socialism.LESSATTRIBUTION DETAIL »
For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish or... a German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making "ladies" dresses or artificial flowers for the family to purchase.LESSATTRIBUTION DETAIL »
The Miss America contest is ... the most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for...: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.LESSATTRIBUTION DETAIL »
In middle life each man wrote a long elegiac work centering on the death of someone very near his heart: Tennyson's In Memoriam su...rely corresponds to Brahms' German Requiem.... At the other extreme you will no doubt think of Brahms' fiery Hungarian dances and graceful Viennese waltzes: in the work of Tennyson there are similar pieces, in broad dialect with touches of rough comedy and unbuttoned jollity, in particular "The Northern Farmer." Between these extremes, in the work of each man, lies a single masterpiece, strange but characteristic. Tennyson's Maud is what he calls a monodrama, a set of lyrics spoken by one man, telling the story of tragic love. In 1869 Brahms lost the beautiful Julie Schumann: the result was his famous Alto Rhapsody, an extended lyric, in fact a monodrama on the agonies of loneliness in a heart thirsty for love. The nineteenth century was a nationalist era, so both Brahms and Tennyson wrote pieces we should now call jingoistic: they are seldom played or read today, but they are part of the total picture. For Brahms the best known was his Triumph Song, written after the German conquests of France. For Tennyson, it was "The Charge of the Light Brigade," and other galloping and shouting lyrics.LESSATTRIBUTION DETAIL »
Throughout recorded time ... there have been three kinds of people in the world, the High, the Middle, and the Low. They have been... subdivided in many ways, they have borne countless different names, and their relative numbers, as well as their attitude towards one another, have varied from age to age: but the essential structure of society has never altered. Even after enormous upheavals and seemingly irrevocable changes, the same pattern has always reasserted itself, just as a gyroscope will always return to equilibrium, however far it is pushed one way or the other. The aims of these three groups are entirely irreconcilable.LESSATTRIBUTION DETAIL »
Separating ourselves from the crowd, we walked up a narrow street, thence ascended by some wooden steps, called the Break-neck Sta...irs, into another steep, narrow, and zigzag street, blasted through the rock, which last led through a low, massive stone portal, called Prescott Gate, the principal thoroughfare into the Upper Town. This passage was defended by cannon, with a guard-house over it, a sentinel at his post, and other soldiers at hand ready to relieve him. I rubbed my eyes to be sure that I was in the Nineteenth Century, and was not entering one of those portals which sometimes adorn the frontispieces of new editions of old black-letter volumes. I thought it would be a good place to read Froissart's Chronicles. It was such a reminiscence of the Middle Ages as Scott's novels. Men apparently dwelt there for security! Peace be unto them! As if the inhabitants of New York were to go over to Castle William to live! What a place it must be to bring up children!LESSATTRIBUTION DETAIL »
The forest has never so good a setting, nor is so distinctly beautiful, as when seen from the middle of a small lake amid hills wh...ich rise from the water's edge; for the water in which it is reflected not only makes the best foreground in such a case, but, with its winding shore, the most natural and agreeable boundary to it. There is no rawness nor imperfection in its edge there, as where the axe has cleared a part, or a cultivated field abuts on it. The trees have ample room to expand on the water side, and each sends forth its most vigorous branch in that direction. There Nature has woven a natural selvage, and the eye rises by just gradations from the low shrubs of the shore to the highest trees. There are few traces of man's hand to be seen. The water laves the shore as it did a thousand years ago.LESSATTRIBUTION DETAIL »
To be good, according to the vulgar standard of goodness, is obviously quite easy. It merely requires a certain amount of sordid t...error, a certain lack of imaginative thought, and a certain low passion for middle-class respectability.LESSATTRIBUTION DETAIL »
The alienation effect in German epic theater is achieved not only through the actors, but also through music (chorus and song) and... sets (transparencies, film strips, etc.). Its main purpose is to place the staged events in their historical context.LESSATTRIBUTION DETAIL »