A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man... can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive;" or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture--in literature, art, theater, or the daily newspapers.LESSATTRIBUTION DETAIL »
The theater-goer in conventional dramatic theater says: Yes, I've felt that way, too. That's the way I am. That's life. That's the... way it will always be. The suffering of this or that person grips me because there is no escape for him. That's great art--Everything is self- evident. I am made to cry with those who cry, and laugh with those who laugh. But the theater-goer in the epic theater says: I would never have thought that. You can't do that. That's very strange, practically unbelievable. That has to stop. The suffering of this or that person grips me because there is an escape for him. That's great art--nothing is self-evident. I am made to laugh about those who cry, and cry about those who laugh.LESSATTRIBUTION DETAIL »
Very roughly, the drama may be called that part of theatrical art which lends itself most readily to intellectual discussion; what... is left is theater. Drama is immensely durable; after a thousand critical disputes, it is still there, undiminished, ready for the next wranglers. Theater is magical and evanescent; examine it closely and it turns into tricks of lighting, or the grace of a particular gesture, or the tone of a voice--and these are not its substance, but the rubbish that is left when magic has departed. Theater is the response, the echo, which drama awakens within us when we see it on the stage.LESSATTRIBUTION DETAIL »
The art of the theater--notoriously an "impure" art--seems to be as close to the art of politics as it is to poetry, painting or m...usic. The theater artist, whether actor or playwright, depends on the interest and support of an audience, just as the politician depends upon his constituency. The politician cannot practice his art at all without a grant from his constituency; and so he must first of all woo it. And the theater artist cannot practice his art without real people assembled before a real stage; a theater without an audience is a contradiction in terms. That is why both politics and the theater are necessarily so close to the public mood and the public mind of their times.LESSATTRIBUTION DETAIL »
What matters poverty? What matters anything to him who is "enamoured" of our art? Does he not carry in himself every joy and every... beauty?LESSATTRIBUTION DETAIL »
It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for und...erstanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.LESSATTRIBUTION DETAIL »
Printed prose is historically a most peculiar, almost an aberrant way of telling stories, and by far the most inherently anestheti...c: It is the only medium of art I can think of which appeals directly to none of our five senses. The oral and folk tradition in narrative made use of verse or live-voice dynamics, embellished by gesture and expression--a kind of rudimentary theater--as do the best raconteurs of all times. Commonly there was musical accompaniment as well: a kind of one-man theater-of-mixed-means.LESSATTRIBUTION DETAIL »
People whose understanding and taste in literature, painting, and music are beyond question are, for the most part, ignorant of wh...at is good or bad art in the theater.LESSATTRIBUTION DETAIL »
We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the ...absurd.... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?LESSATTRIBUTION DETAIL »
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple ...of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.LESSATTRIBUTION DETAIL »