In movies about women, all important historical and natural events are translated into the terms of a woman's daily life. World Wa...r I is not about the Allies versus the Kaiser. It's about how unmarried women become pregnant when they have sex. The Depression is not about an economic collapse. It's about runs in stockings, no money for carfare, and being forced out into the streets. Natural disasters like earthquakes and cholera epidemics are defined by miscarriages and dying children. Everything is couched in terms of what are presumed to be the major events of a woman's life: men, marriage, motherhood, and all the usual "feminine" things. At the same time that big events are made small, personal, small events are made huge.... Thus, the woman's film is a genre that generously empowers a sex that society has relegated to secondary status.LESSATTRIBUTION DETAIL »
We need to see men and women as equal partners, but it's hard to think of movies that do that. When I talk to people, they think o...f movies of forty-five years ago! Hepburn and Tracy!LESSATTRIBUTION DETAIL »
The basic unit of construction in the theatre is the scene, and the amount of dramatic time that elapses during a scene is roughly... equal to the length of time the scene takes to perform. To be sure, some plays cover many years, but in general these years pass "between curtains." We're informed that it is "seven years later," either by a stage direction or by the dialogue. The basic unit of construction in movies is the shot, which can lengthen or shorten time more subtly, since the average shot lasts only ten or fifteen seconds. Drama has to chop out huge blocks of time between the relatively few scenes and acts; films can expand or contract time between the many hundreds of shots.LESSATTRIBUTION DETAIL »
Movies are one of the bad habits that corrupted our century. Of their many sins, I offer as the worst their effect on the intellec...tual side of the nation. It is chiefly from that viewpoint I write of them--as an eruption of trash that has lamed the American mind and retarded Americans from becoming a cultured people.LESSATTRIBUTION DETAIL »
Movies are a combination of art and mass medium, but television is so single in its purpose--selling--that it operates without tha...t painful, poignant mixture of aspiration and effort and compromise. We almost never think of calling a television show "beautiful," or even of complaining about the absence of beauty, because we take it for granted that television operates without beauty. When we see on the television photographic records of the past, like pictures of Scott's Antarctic expedition or those series on the First World War, they seem almost too strong for the box, too pure for it. The past has a terror and fascination and a beauty beyond almost anything else. We are looking at the dead, and they move and grin and wave at us; it's an almost unbearable experience. When our wonder or our grief are interrupted or followed by a commercial, we want to destroy the ugly box. Old movies don't tear us apart like that. They do something else, which we can take more of and take more easily; they give us a sense of the passage of life. Here is Elizabeth Taylor as a plump matron and here, an hour later, as an exquisite child.LESSATTRIBUTION DETAIL »
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to se...e them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful--our own innocence.LESSATTRIBUTION DETAIL »
Consider the relationship of Hollywood and Broadway. In the twenties, the two were sharply differentiated, movies being produced f...or the masses of the hinterland, theatre for an upper-class New York audience. The theatre was High Culture, mostly of the Academic variety (Theatre Guild) but with some spark of Avant-garde fire (the "little" or "experimental" theatre movement). The movies were definitely Mass Culture, mostly very bad but with some leaven of Avant-gardism (Griffiths, Stroheim) and Folk Art (Chaplin and other comedians). With the sound film, Broadway and Hollywood drew closer together. Plays are now produced mainly to sell the movie rights, with many being directly financed by the film companies. The merger has standardized the theatre to such an extent that even the early Theatre Guild seems vital in retrospect, while hardly a trace of the "experimental" theatre is left. And what have the movies gained? They are more sophisticated, the acting is subtler, the sets in better taste. But they too have become standardized: they are never as awful as they often were in the old days, but they are never as good either. They are better entertainment and worse art.LESSATTRIBUTION DETAIL »
The great silent movies revolve around the body and the personality of its owner; the great sound comedies revolve about structure... and style--what happens, how it happens, and the way those happenings are depicted. Film comedy, as well as film art in general, was born from delight in physical movement. The essence of early filmmaking was to take some object (animate or inanimate) and simply watch it move.... The sound comedy is far more literary. Given the opportunity to use the essential tool of literature, words, as an intrinsic part of the film's conception, the filmmaker did not hesitate to do so. In silent films, the use of words in titles was intrusive, a deliberate interruption of the cinematic medium and a substitution of the literary one. We stop looking and start reading. But the sound film provided the means to watch the action and listen to the words at the same time. Whereas the silent performer was a physical being,... the sound performer was both physical and intellectual at once.LESSATTRIBUTION DETAIL »
I think the reason we're so crazy sexually in America is that all our responses are acting. We don't know how to feel. We know how... it looked in the movies.LESSATTRIBUTION DETAIL »
The movies were my textbooks for everything else in the world. When it wasn't, I altered it. If I saw a college, I would see only ...cheerleaders or blonds. If I saw New York City, I would want to go to the slums I'd seen in the movies, where the tough kids played. If I went to Chicago, I'd want to see the brawling factories and the gangsters.LESSATTRIBUTION DETAIL »