Since I am upon this Subject, I must observe that our English Poets have succeeded much better in the Stile, than in the Sentiment...s of their Tragedies. Their Language is very often noble and sonorous, but the sense either very trifling or very common. On the contrary, in the ancient Tragedies, and indeed in those of Corneille and Racine, tho' the Expressions are very great, it is the Thought that bears them up and swells them. For my own part, I prefer a noble Sentiment that is depressed with homely Language, infinitely before a vulgar one that is blown up with all the Sound and Energy of Expression. Whether this Defect in our Tragedies may arise from Want of Genius, Knowledge, or Experience in the Writers, or from their Compliance with the vicious Taste of their Readers, who are better Judges of the Language than of the Sentiments, and consequently relish the one more than the other, I cannot determine.LESSATTRIBUTION DETAIL »
What intrigued such gentlemen [the editorial writers] was the plain fact Wilson was their superior in their own special field--tha...t he accomplished with a great deal more skill than they did themselves the great task of reducing all the difficulties of the hour to a few sonorous and unintelligible phrases, often with theological overtones--that he knew better than they did how to arrest and enchant the boobery with words that were simply words, and nothing else.LESSATTRIBUTION DETAIL »
As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to th...e necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.LESSATTRIBUTION DETAIL »
Except for the beast fables, which are anciently derived from the world's multi-racial heritage, American Negro humor is rooted in... social oppression. And--again excepting the animal fables--it differs from classical Western and white American humor in another respect. It is totally devoid of those myth-making and myth-transmuting elements and symbols that appeal so deeply to the American mind in the works of the tall-tale tellers such as Davy Crockett, Seba Smith, Mike Fink, and Mark Twain. There are no Rip Van Winkles, Johnny Appleseeds, Paul Bunyans, or Calamity Janes--and none bearing the faintest resemblance to them--in Negro American humor. The myth-making figures in the literature of black Americans are the blues-haunted characters. They are Stagolee, John Henry, and Big Boy; they are Mary Lou, Frankie, and Sister Caroline. And they are not funny, least of all to the nameless hundreds of folk-Negroes who created them and the still-living thousands who love them and perpetuate them in song and story.LESSATTRIBUTION DETAIL »
I feel I must learn to speak the Baa of the simple-minded, while my mind... dives into the multi-colored crowded voices, cries for help, My breasts are off me.LESSATTRIBUTION DETAIL »
The stage is three-dimensional, the movie multi-dimensional.... The stage play can create epic, for example, only by borrowing mov...ie methods. The movie, likewise, can debate ideas only by imitating the relative stasis of theater and, in pursuit of ideas or not, it unnaturally limits its prowess by containing action within one room or other closely confined area.... The imperative of movie motion makes any concession to the working principles of theater a retrograde act, for the form of a play must be violated in order to be converted; if this violation is shirked, the movie's integrity will be sacrificed for that of the play. One cannot possibly imagine a fluid movie adapted from a play by Moliere, Chekhov, Sternheim, or Pirandello, unless the original content were disastrously modified. Nor can the social dramas of Ibsen and the discursive comedies of Shaw profit from the movie medium. Their action, in the literal sense, is not going anywhere; their moods and theses can only be dissipated by a compulsively mobile camera.LESSATTRIBUTION DETAIL »
I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unl...ike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.LESSATTRIBUTION DETAIL »
Can this cockpit hold The vasty fields of France? Or may we cram... Within this wooden O the very casques That did affright the air at Agincourt?LESSATTRIBUTION DETAIL »
Men who care passionately for women attach themselves at least as much to the temple and to the accessories of the cult as to thei...r goddess herself.LESSATTRIBUTION DETAIL »