Blake and Goethe were individualists par excellence, uncompromisingly protective of their single vision. In both Faust Part II and... The Four Zoas, emphasis on the universality of the poet's message contrasts with the resistant texture of a compressed style and the striking complexity of the mythological machinery. Blake likes to emphasize that he is not writing for the simple-minded; Goethe takes a teasing pleasure in keeping philologists busy. Faust and The Four Zoas are dramatic epics of Humanity, but embodied in a mythic language whose uniqueness and quirkiness are jealously guarded. Blake never published The Four Zoas, though it culminates his early prophecies and provides the indispensable key to the later ones. And Goethe refused to allow Faust Part II to be printed in its entirety until after his death. Both poets postponed the public's discovery of their central works; secrecy was enforced as long as it could be.LESSATTRIBUTION DETAIL »
Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willin...gness to submit to her own annihilation.... The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover.LESSATTRIBUTION DETAIL »
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man... can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive;" or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture--in literature, art, theater, or the daily newspapers.LESSATTRIBUTION DETAIL »
Smoking ... is downright dangerous. Most people who smoke will eventually contract a fatal disease and die. But they don't brag ab...out it, do they? Most people who ski, play professional football or drive race cars, will not die--at least not in the act--and yet they are the ones with the glamorous images, the expensive equipment and the mythic proportions. Why this should be I cannot say, unless it is simply that the average American does not know a daredevil when he sees one.LESSATTRIBUTION DETAIL »
Two destitute lives. Two sickly bachelors, chaste though without vows, deprived of all daily affection, suffering all the torments... of poetic passion, but for the Idea--adventurers of the mind only. Two existences virtually devoid of external vicissitudes. For one, the breaking-off of an engagement, the final attack against the Church, and death at forty-two. For the other, still less: a few years' professorship, a long wandering solitude, madness at forty-four. Each produced in some fifteen years his difficult, seminal work, and attracted only in extremis, by scandal, the attention of a few contemporaries. This external nakedness, contrasting with so much inner pathos, renders these lives exemplary; two pure tensions. In them the action of the mythic powers perfectly reveals its slow movements of approach, of alternating emergence and eclipse. These two chaste men meditated much on love, on women, and on marriage. Nietzsche has certainly written less on these subjects than Kierkegaard, but his work is no less rich in brief, often brazenly contradictory judgments on these three themes. It is remarkable that Nietzsche's contradictions afford a faithful epitome of Kierkegaard's, which in their turn repeat those of St. Paul himself.LESSATTRIBUTION DETAIL »
It is not book-learning young men need, nor instruction about this and that, but a stiffening of the vertebrae which will cause th...em to be loyal to a trust, to act promptly, concentrate their energies: do the thing--"Carry a message to Garcia!"LESSATTRIBUTION DETAIL »