The tourist is first of all an adventurer. The dream is of the pioneer, the explorer, the great voyager or the conquering emperor.... He leaves the security of home far behind and sets out beyond the perimeters of the known world for fame, fortune and excitement. He wants to take on the minotaur, scale the Matterhorn, discover a lost Amazonian tribe or sample the delights of a Thai brothel.... The essence of the tourist adventure is exhibited in the contours of the excitements that it provides. And these contours are best inferred from the stories that are told and re-told with animation to relatives, friends and colleagues at home. It is virtually never what has been seen that is recounted with enthusiasm. When the sites are described it is in the form of ritualized cliches: the Eiffel Tower really is a wonder--we went up it, and you get such a nice view. It is rather the personal moments of the tour, moments of near-crisis, that in retrospect were exciting: when one of the suitcases failed to arrive off the luggage chute at Frankfort Airport. Touring itself has been turned into a routine, restricting adventure to those moments when routine breaks down.LESSATTRIBUTION DETAIL »
sailing In sunlight smiling under their goggles swapping batons back and... forth And He who jumped without a chute and was handed one by a diving Buddy.LESSATTRIBUTION DETAIL »
Whereas the child is chiefly playful and experimental, the adult focuses on specific and conscious experiences. He practices selec...tive inattention to the objects for which he has no immediate use and develops a kind of tunnel vision that helps him to move toward selected goals. This focusing on a limited range of experiences and goals is largely responsible for one's individual evolution and gives a deep and almost tragic significance to a statement made by Albert Camus in his novel La Chute: "Après un certain âge tout homme est responsable do son visage." An almost identical statement appears as the last entry in George Orwell's notebooks: "At 50, everyone has the face he deserves." There could not any more absolute affirmation of belief in personal responsibility for the quality of one's own life and character.LESSATTRIBUTION DETAIL »
The dearest events are summer-rain, and we the Para coats that shed every drop. Nothing is left us now but death. We look to that ...with grim satisfaction, saying, there at least is reality that will not dodge us.LESSATTRIBUTION DETAIL »
All those who write either explicitly or by insinuation against the dignity, freedom, and immortality of the human soul, may so fa...r forth be justly said to unhinge the principles of morality, and destroy the means of making men reasonably virtuous.LESSATTRIBUTION DETAIL »
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical fi...eld of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.LESSATTRIBUTION DETAIL »
They say princes learn no art truly, but the art of horsemanship. The reason is, the brave beast is no flatterer. He will throw a ...prince as soon as his groom.LESSATTRIBUTION DETAIL »
The man who promises everything is sure to fulfil nothing, and everyone who promises too much is in danger of using evil means in ...order to carry out his promises, and is already on the road to perdition.LESSATTRIBUTION DETAIL »