[I]t is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an ...expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.LESSATTRIBUTION DETAIL »
I suspect by the account you give me of your garden, that you mean a surprise. As good singers always preface their performance by... complaints of cold, hoarseness &c.LESSATTRIBUTION DETAIL »
The inside of an Englishman's head can be very fairly compared to a Murray's Guide: a great many facts, but few ideas; a great dea...l of exact and useful information, statistics, figures, reliable and detailed maps, short and dry historical notes, useful and moral tips by way of preface, no all-inclusive vision, and no relish of good writing. It is a collection of good, reliable documents, a convenient body of memoranda to get a man through his journey without help. A Frenchman requires an agreeable shapeliness in every piece of writing and every article about him. The Englishman can be satisfied with utility. A Frenchman enjoys ideas as such and for their own sake; an Englishman regards them as instruments of foresight or mnemonics.LESSATTRIBUTION DETAIL »
Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface, ...not concluded in the appendix. Even Virgil's poetry serves a very different use to me today from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world.LESSATTRIBUTION DETAIL »
Aristotle illustrates his view of the relation of metaphor to simile as follows. "When the poet say of Achilles, 'He sprang on the...m like a lion,' this is a simile. When he says, 'The lion sprang on them,' this is metaphor; for as both animals are brave, he has transferred the name of 'lion' to Achilles." Elsewhere he calls simile "a metaphor with a preface" and declares it inferior to metaphor on two counts: it is lengthier, therefore less pleasing; and "since it does not affirm that this is that, the mind does not inquire into the matter." Now it is true that metaphor is often (not, I think, always) preferable to simile on both these grounds, but the grounds are rhetorical not semantic ones. Terseness is more pleasing and more stimulating to thought than verbosity; that is what it comes to.LESSATTRIBUTION DETAIL »
The hard necessity of bringing the judge on the bench down into the dock has been the peculiar responsibility of the writer in all... ages of man.LESSATTRIBUTION DETAIL »
There exists a black kingdom which the eyes of man avoid because its landscape fails signally to flatter them. This darkness, whic...h he imagines he can dispense with in describing the light, is error with its unknown characteristics.... Error is certainty's constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.LESSATTRIBUTION DETAIL »