The Abbe Goussault, a counsellor at High Court, writes [at the end of the 17th century]: "Familiarizing oneself with one's childre...n, getting them to talk about all manner of things, treating them as sensible people and winning them over with sweetness, is an infallible secret for doing what one wants with them. . . . A few caresses, a few little presents, a few words of cordiality and trust make an impression on their minds, and they are few in number that resist these sweet and easy methods of making them persons of honour and probity."LESSATTRIBUTION DETAIL »
Just as a chemist "isolates" a substance from contaminations that distort his view of its nature and effects, so the work of art p...urifies significant appearance. It presents abstract themes in their generality, but not reduced to diagrams.LESSATTRIBUTION DETAIL »
So little are the Homeric heroes presented as developing or having developed, that most of them--Nestor, Agamemnon, Achilles--appe...ar to be of an age fixed from the very first. Even Odysseus, in whose case the long lapse of time and the many events which occurred offer so much opportunity for biographical development, shows almost nothing of it. Odysseus on his return is exactly the same as he was when he left Ithaca two decades earlier. But what a road, what a fate, lie between the Jacob who cheated his father out of his blessing by a wild beast!--between David the harp player, persecuted by his lord's jealousy, and the king, surrounded by violent intrigues, whom Abishag the Shunnamite warmed in his bed, and he knew her not! The old man, of whom we know how he has become what he is, is more of an individual than the young man; for it is only in the course of an eventful life that men are differentiated into full individuality; and it is this history of a personality which the Old Testament presents to us as the formation undergone by those whom God has chosen as his examples.LESSATTRIBUTION DETAIL »
When theology erodes and organization crumbles, when the institutional framework of religion begins to break up, the search for a ...direct experience which people can feel to be religious facilitates the rise of cults. A cult differs from a formal religion in many significant ways. It is in the nature of a cult to claim some esoteric knowledge which has been submerged (or repressed by orthodoxy) for a long time but has now suddenly been illuminated. There is often some heterodox figure, mocked or scorned by the orthodox, who presents these new teachings. There are communal rites which often permit or spur an individual to act out impulses that had hitherto been repressed. In the cult, one feels as though one were exploring novel or hitherto taboo modes of conduct. What defines a cult, therefore, is its implicit emphasis on magic rather than theology, on the personal tie to a guru or to the group, rather than to an institution or a creed.LESSATTRIBUTION DETAIL »
The artistic performance of a stage actor is definitely presented to the public by the actor in person; that of the screen actor, ...however, is presented by a camera, with a twofold consequence. The camera that presents the performance of the film actor to the public need not respect the performance as an integral whole. Guided by the cameraman, the camera continually changes its position with respect to the performance. The sequence of positional views which the editor composes from the material supplied him constitutes the completed film. It comprises certain factors of movement which are in reality those of the camera, not to mention special camera angles, close-ups, etc.... Also, the film actor lacks the opportunity of the stage actor to adjust to the audience during his performance, since he does not present his performance to the audience in person. This permits the audience to take the position of a critic, without experiencing any personal contact with the actor. The audience's identification with the actor is really an identification with the camera.LESSATTRIBUTION DETAIL »
What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi...th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things--from close-ups of insects to panoramas of prairies--which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity.LESSATTRIBUTION DETAIL »
In the planning and designing of new communities, housing projects, and urban renewal, the planners both public and private, need ...to give explicit consideration to the kind of world that is being created for the children who will be growing up in these settings. Particular attention should be given to the opportunities which the environment presents or precludes for involvement of children with persons both older and younger than themselves.LESSATTRIBUTION DETAIL »
Sexual abuse of children now presents society with the ultimate crisis of patriarchy, when children refuse to protect their father...s by keeping secrets.LESSATTRIBUTION DETAIL »
There are three hundred and sixty-four days when you might get un-birthday presents ... and only one for birthday presents, you kn...ow.LESSATTRIBUTION DETAIL »
In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. ...Everything that was directly lived has moved away into a representation.LESSATTRIBUTION DETAIL »