Lieutenant Hirth: The Eskimos are racially as low as Negroes. The Factor: What's the matter with Negroes?... Lieutenant Hirth: They're semi-apes. Only one degree above the Jews.LESSATTRIBUTION DETAIL »
This fellow is wise enough to play the fool, And to do that well craves a kind of wit.... He must observe their mood on whom he jests, The quality of persons, and the time, Not, like the haggard, check at every feather That comes before his eye. This is a practice As full of labor as a wise man's art.LESSATTRIBUTION DETAIL »
Nothing defines the quality of life in a community more clearly than people who regard themselves, or whom the consensus chooses t...o regard, as mentally unwell.LESSATTRIBUTION DETAIL »
The quality of strength lined with tenderness is an unbeatable combination, as are intelligence and necessity when unblunted by fo...rmal education.LESSATTRIBUTION DETAIL »
There's a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle. Most p...eople go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats.LESSATTRIBUTION DETAIL »
Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the ...child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.LESSATTRIBUTION DETAIL »
It is change, continuing change, inevitable change, that is the dominant factor in society today. No sensible decision can be made... any longer without taking into account not only the world as it is, but the world as it will be.... This, in turn, means that our statesmen, our businessmen, our everyman must take on a science fictional way of thinking.LESSATTRIBUTION DETAIL »
If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact... that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.LESSATTRIBUTION DETAIL »