"The age of independent travel is drawing to an end," said E.M. Forster back in 1920, when it had been increasingly clear for deca...des that the mass production inevitable in the late industrial age had generated its own travel-spawn, tourism, which is to travel as plastic is to wood. If travel is mysterious, even miraculous, and often lonely and frightening, tourism is commonsensical, utilitarian, safe, and social, "that gregarious passion," the traveler Patrick Leigh Fermor calls it, "which destroys the object of its love." Not self-directed but externally enticed, as a tourist you go not where your own curiosity beckons but where the industry decrees you shall go. Tourism soothes, shielding you from the shocks of novelty and menace, confirming your prior view of the world rather than shaking it up. It obliges you not just to behold conventional things but to behold them in the approved conventional way.LESSATTRIBUTION DETAIL »
The folk artist is usually satisfied with somewhat more anonymity; he is less concerned with aesthetic context, and less with spec...ifically aesthetic purpose, though he wants to satisfy his audience, as does the popular artist. His art, however, tends to be thematically simple and technically uncomplicated, its production--the folk song, the duck decoy, the tavern sign, the circus act--not so strongly influenced by technological factors. Popular art is folk art aimed at a wider audience, in a somewhat more self-conscious attempt to fill that audience's expectations, an art more aware of the need for selling the product, more consciously adjusted to the median taste.LESSATTRIBUTION DETAIL »
I am looking over Self Control again, & my opinion is confirmed of its being an excellently-meant, elegantly-written... Work, without anything of Nature or Probability in it.LESSATTRIBUTION DETAIL »
To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discr...iminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference.LESSATTRIBUTION DETAIL »
Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count ...for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.LESSATTRIBUTION DETAIL »
The glance is natural magic. The mysterious communication established across a house between two entire strangers, moves all the s...prings of wonder. The communication by the glance is in the greatest part not subject to the control of the will. It is the bodily symbol of identity with nature. We look into the eyes to know if this other form is another self, and the eyes will not lie, but make a faithful confession what inhabitant is there.LESSATTRIBUTION DETAIL »
So all that is said of the wise man by Stoic or Oriental or modern essayist, describes to each reader his own idea, describes his ...unattained but attainable self.LESSATTRIBUTION DETAIL »
Welcome evermore to gods and men is the self-helping man. For him all doors are flung wide: him all tongues greet, all honors crow...n, all eyes follow with desire. Our love goes out to him and embraces him, because he did not need it. We solicitously and apologetically caress and celebrate him, because he held on his way and scorned our disapprobation. The gods loved him because men hated him.LESSATTRIBUTION DETAIL »
Traveling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at R...ome, I can be intoxicated with beauty and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from.LESSATTRIBUTION DETAIL »