Since I am upon this Subject, I must observe that our English Poets have succeeded much better in the Stile, than in the Sentiment...s of their Tragedies. Their Language is very often noble and sonorous, but the sense either very trifling or very common. On the contrary, in the ancient Tragedies, and indeed in those of Corneille and Racine, tho' the Expressions are very great, it is the Thought that bears them up and swells them. For my own part, I prefer a noble Sentiment that is depressed with homely Language, infinitely before a vulgar one that is blown up with all the Sound and Energy of Expression. Whether this Defect in our Tragedies may arise from Want of Genius, Knowledge, or Experience in the Writers, or from their Compliance with the vicious Taste of their Readers, who are better Judges of the Language than of the Sentiments, and consequently relish the one more than the other, I cannot determine.LESSATTRIBUTION DETAIL »
What intrigued such gentlemen [the editorial writers] was the plain fact Wilson was their superior in their own special field--tha...t he accomplished with a great deal more skill than they did themselves the great task of reducing all the difficulties of the hour to a few sonorous and unintelligible phrases, often with theological overtones--that he knew better than they did how to arrest and enchant the boobery with words that were simply words, and nothing else.LESSATTRIBUTION DETAIL »
As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to th...e necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.LESSATTRIBUTION DETAIL »
I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unl...ike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.LESSATTRIBUTION DETAIL »