Historically speaking, the most obvious and most decisive distinction between the American and the French Revolutions was that the... historical inheritance of the American Revolution was "limited monarchy" and that of the French Revolution an absolutism which apparently reached far back into the first centuries of our era and the last centuries of the Roman Empire. Nothing, indeed, seems more natural than that a revolution should be predetermined by the type of government it overthrows; nothing, therefore, appears more plausible than to explain the new absolute, the absolute revolution, by the absolute monarchy which preceded it, and to conclude that the more absolute the ruler, the more absolute the revolution will be which replaces him.LESSATTRIBUTION DETAIL »
The wise screen writer is he who wears his second-best suit, artistically speaking, and doesn't take things too much to heart. He ...should have a touch of cynicism, but only a touch. The complete cynic is as useless to Hollywood as he is to himself. He should do the best he can without straining at it. He should be scrupulously honest about his work, but he should not expect scrupulous honesty in return. He won't get it. And when he has had enough, he should say goodbye with a smile, because for all he knows he may want to go back.LESSATTRIBUTION DETAIL »
The great leading distinction between writing and speaking is, that more time is allowed for the one than the other, and hence dif...ferent faculties are required for, and different objects attained by each. He is properly the best speaker who can collect together the greatest number of apposite ideas at a moment's warning; he is properly the best writer who can give utterance to the greatest quantity of valuable knowledge in the course of his whole life. The chief requisite for the one, then, appears to be quickness and facility of perception--for the other, patience of soul and a power increasing with the difficulties it has to master. He cannot be denied to be an expert speaker, a lively companion, who is never at a loss for something to say on every occasion or subject that offers. He, by the same rule, will make a respectable writer who, by dint of study, can find out anything good to say upon any one point that has not yet been touched upon before, or who by asking for time, can give the most complete and comprehensive view of any question. The one must be done off-hand, at a single blow; the other can only be done by a repetition of blows, by having time to think and do better.LESSATTRIBUTION DETAIL »
Speaking thick, which nature made his blemish, Became the accents of the valiant;... For those that could speak low and tardily Would turn their own perfection to abuse To seem like him.LESSATTRIBUTION DETAIL »
But there is nothing which delights and terrifies our English Theatre so much as a Ghost, especially when he appears in a bloody S...hirt. A Spectre has very often saved a Play, though he has done nothing but stalked across the Stage, or rose through a Cleft of it, and sunk again without speaking one Word.LESSATTRIBUTION DETAIL »
The type of fig leaf which each culture employs to cover its social taboos offers a twofold description of its morality. It reveal...s that certain unacknowledged behavior exists and it suggests the form that such behavior takes.LESSATTRIBUTION DETAIL »