If Thought is capable of being classed with Electricity, or Will with chemical affinity, as a mode of motion, it seems necessary t...o fall at once under the second law of thermodynamics as one of the energies which most easily degrades itself, and, if not carefully guarded, returns bodily to the cheaper form called Heat. Of all possible theories, this is likely to prove the most fatal to Professors of History.LESSATTRIBUTION DETAIL »
It is the fragrant lack of practicality that makes high-heeled shoes so fascinating: in terms of static mechanics they induce a so...rt of insecurity which some find titillating. If a woman wears a high-heeled shoe it changes the apparent musculature of the leg so that you get an effect of twanging sinew, of tension needing to be released. Her bottom sticks out like an offering. At the same time, the lofty perch is an expression of vulnerability, she is effectively hobbled and unable to escape. There is something arousing about this declaration that she is prepared to sacrifice function for form.LESSATTRIBUTION DETAIL »
What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi...th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things--from close-ups of insects to panoramas of prairies--which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity.LESSATTRIBUTION DETAIL »
Human visual perception is a far more complex and selective process than that by which a film records. Nevertheless the camera len...s and the eye both register images--because of their sensitivity to light--at great speed and in the face of an immediate event. What the camera does, however, and what the eye in itself can never do is to fix the appearance of that event. It removes its appearance from the flow of appearances and it preserves it, not perhaps forever but for as long as the film exists. The essential character of this preservation is not dependent upon the image being static; unedited film rushes preserve in essentially the same way. The camera saves a set of appearances from the otherwise inevitable supercession of further appearances. It holds them unchanging. And before the invention of the camera nothing could do this, except, in the mind's eye, the faculty of memory.LESSATTRIBUTION DETAIL »
Y'know scientists are funny. We probe and measure and dissect. Invent lights without heat, weigh a caterpillar's eyebrow. But when... it comes to really important things we're as stupid as the caveman.... Like love. Makes the world go 'round, but what do we know about it? Is it a fact? Is it chemistry? Electricity?LESSATTRIBUTION DETAIL »
The human body is not a thing or substance, given, but a continuous creation. The human body is an energy system ... which is neve...r a complete structure; never static; is in perpetual inner self-construction and self-destruction; we destroy in order to make it new.LESSATTRIBUTION DETAIL »
"If Steam has done nothing else, it has at least added a whole new Species to English Literature ... the booklets--the little thri...lling romances, where the Murder comes at page fifteen, and the Wedding at page forty--surely they are due to Steam?" "And when we travel by electricity--if I may venture to develop your theory--we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page."LESSATTRIBUTION DETAIL »
Prudence and justice tell me that in electricity and steam there is more love for man than in chastity and abstinence from meat.LESSATTRIBUTION DETAIL »