Human visual perception is a far more complex and selective process than that by which a film records. Nevertheless the camera len...s and the eye both register images--because of their sensitivity to light--at great speed and in the face of an immediate event. What the camera does, however, and what the eye in itself can never do is to fix the appearance of that event. It removes its appearance from the flow of appearances and it preserves it, not perhaps forever but for as long as the film exists. The essential character of this preservation is not dependent upon the image being static; unedited film rushes preserve in essentially the same way. The camera saves a set of appearances from the otherwise inevitable supercession of further appearances. It holds them unchanging. And before the invention of the camera nothing could do this, except, in the mind's eye, the faculty of memory.LESSATTRIBUTION DETAIL »
I am packing my belongings in the shawl my mother used to wear when she went to the market. And I am going from my valley. But thi...s time I shall never return. I am leaving behind me my 50 years of memory--memory. Strange that the mind will forget so much of what only this moment has passed and yet hold clear and bright the memory of what happened years ago of men and women long since dead. Yet who shall say what is real and what is not. Can I believe this all gone when their voices are still a glory in my ears. No. And I will stand to say no and no again, for they remain within my mind. There is no fence nor hedge around time that is gone. You can go back and have what you like of it, if you can remember. So I can go close my eyes on my valley as it is today and it is gone. And I see it as it was when I was a boy--green it was and possessed of the plenty of the earth. In all Wales there was none so beautiful.LESSATTRIBUTION DETAIL »
In the marriage ceremony, that moment when falling in love is replaced by the arduous drama of staying in love, the words "for ric...her, for poorer, in sickness and in health,' til death us do part" set love in the temporal context in which it achieves its meaning. As time begins to elapse, one begins to love the other because they have shared the same experience, the same moments of duration. Selves may not intertwine but lives do, and shared memory becomes as much of a bond as the bond of the flesh. One might say shared memory is not love itself but a consequence of being in love; but in what people commonly say about long-lasting love, it is the attitudes toward time implied in such words such as constancy and fidelity that recur.LESSATTRIBUTION DETAIL »
The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting t...ogether in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.LESSATTRIBUTION DETAIL »