They were two strong men, these oddly different generals, and they represented the strengths of two conflicting currents that, thr...ough them, had come into final collision. Back of Robert E. Lee was the notion that the old aristocratic concept might somehow survive and be dominant in American life. Lee was tidewater Virginia, and in his background were family, culture, and tradition.... Grant, the son of a tanner on the Western frontier, was everything Lee was not. He had come up the hard way and embodied nothing in particular except the eternal toughness and sinewy fiber of the men who grew up beyond the mountains. He was one of a body of men who owed reverence and obeisance to no one, who were self-reliant to a fault, who cared hardly anything for the past but who had a sharp eye for the future.LESSATTRIBUTION DETAIL »
Is it the lumberman, then, who is the friend and lover of the pine, stands nearest to it, and understands its nature best? Is it t...he tanner who has barked it, or he who has boxed it for turpentine, whom posterity will fable to have been changed into a pine at last? No! no! it is the poet.... All the pines shudder and heave a sigh when that man steps on the forest floor.LESSATTRIBUTION DETAIL »
The bar is the male kingdom. For centuries it was the bastion of male privilege, the gathering place for men away from their women..., a place where men could go to freely indulge in The Bull Session ... the release of the guilty anxiety of the oppressor class.LESSATTRIBUTION DETAIL »
Art is on the side of the oppressed. Think before you shudder at the simplistic dictum and its heretical definition of the freedom... of art. For if art is freedom of the spirit, how can it exist within the oppressors?LESSATTRIBUTION DETAIL »