I myself, I, who, so far as it is finished, have composed this tragedy of tragedies entirely singlehandedly--I, who first tied the... knot of morality into existence and drew it up so tightly that only a god might loosen it (just as Horace demands!)MI myself have already killed all the gods in the fourth act--out of morality! Now what is to be done about the fifth act! Where will the tragic solution come from?--Do I need to start thinking about a comic solution?LESSATTRIBUTION DETAIL »
Listen, my friend, there are two races of beings. The masses teeming and happy--common clay, if you like--eating, breeding, workin...g, counting their pennies; people who just live; ordinary people; people you can't imagine dead. And then there are the others--the noble ones, the heroes. The ones you can quite well imagine lying shot, pale and tragic; one minute triumphant with a guard of honor, and the next being marched away between two gendarmes.LESSATTRIBUTION DETAIL »
The shadow of the Venetian blind on the painted wall, Shadows of the snake-plant and cacti, the plaster animals,... Focus the tragic melancholy of the bright stare Into nowhere, a hole like the black holes in space.LESSATTRIBUTION DETAIL »
What the Journal posits is not the tragic question, the Madman's question: "Who am I?", but the comic question, the Bewildered Man...'s question: "Am I?" A comic--a comedian, that's what the Journal keeper is.LESSATTRIBUTION DETAIL »
I once heard a woman laugh at that most tragic moment in all drama, the off-stage shot in "The Wild Duck," and I afterward had her... killed, so there will be no more of that out of her.LESSATTRIBUTION DETAIL »
A tragic poet will never think of grouping around the chief character in his play secondary characters to serve as simplified copi...es, so to speak, of the former. The hero of a tragedy represents an individuality unique of its kind. It may be possible to imitate him, but then we shall be passing, whether consciously or not, from the tragic to the comic. No one is like him, because he is like no one. But a remarkable instinct, on the contrary, impels the comic poet, once he has elaborated his central character, to cause other characters, displaying the same general traits, to revolve as satellites round him.LESSATTRIBUTION DETAIL »
It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis i...n source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.LESSATTRIBUTION DETAIL »
Homer sweeps us away by the irresistible movement of lines through a whole passage to a splendid climax. What counts is the single...ness of his effect, the unbroken maintenance of a heroic or tragic mood, the concentration on some action vividly imagined and clearly portrayed without irrelevance or second thoughts or even those hints that lure into bypaths of fancy and suggest that there is more in the words than is obvious at first sight. But in Virgil, great though the paragraphs are, compelling though the climax is when it is reached, we are more concerned with the details, with each small effect and each deftly placed word, than with the whole. We linger over the richness of single phrases, over the "pathetic half-lines," over the precision or potency with which a word illuminates a sentence or a happy sequence of sounds imparts an inexplicable charm to something that might otherwise have been trivial. Of course, Homer has his magical phrases and Virgil his bold effects, but the distinction stands. It is a matter of composition, of art, and it marks the real difference between the two kinds of epic, which are not so much "authentic" and "literary" as oral and written.LESSATTRIBUTION DETAIL »