"Money talks" because money is a metaphor, a transfer, and a bridge. Like words and language, money is a storehouse of communally ...achieved work, skill, and experience. Money, however, is also a specialist technology like writing; and as writing intensifies the visual aspect of speech and order, and as the clock visually separates time from space, so money separates work from the other social functions. Even today money is a language for translating the work of the farmer into the work of the barber, doctor, engineer, or plumber. As a vast social metaphor, bridge, or translator, money--like writing--speeds up exchange and tightens the bonds of interdependence in any community. It gives great spatial expansion and control to political organizations, just as writing does, or the calendar.LESSATTRIBUTION DETAIL »
As the distinctions among the arts are distinctions among the sensorial directions of aesthetic expression (sight, speech, hearing...), the visual arts crystallize a state of mind at its farthest point, where it borders on the images of things. The verbal arts seem instead to arrest the uncertain impression which a state of mind produces in us before it assumes that simplification which is able to reconcile it with space and make it a visual image. One is reminded of what Matthew Arnold said, that "poetry is more intellectual than art, more interpretative ... poetry is less artistic than the arts, but in closer correspondence with the intelligential nature of man, who is defined, as we know, 'a thinking animal'"; poetry thinks and arts do not.LESSATTRIBUTION DETAIL »
No other creative field is as closed to those who are not white and male as is the visual arts. After I decided to be an artist, t...he first thing that I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.LESSATTRIBUTION DETAIL »
Though most of us don't hunt, our eyes are still the great monopolists of our senses. To taste or touch your enemy or your food, y...ou have to be unnervingly close to it. To smell or hear it, you can risk being further off. But vision can rush through the fields and up the mountains, travel across time, country, and parsecs of outer space, and collect bushel baskets of information as it goes. Animals that hear high frequencies better than we do--bats and dolphins, for instance--seem to see richly with their ears, hearing geographically, but for us the world becomes most densely informative, most luscious, when we take it in through our eyes. It may even be that abstract thinking evolved from our eyes' elaborate struggle to make sense of what they saw. Seventy percent of the body's sense receptors cluster in the eyes, and it is mainly through seeing the world that we appraise and understand it. Lovers close their eyes when they kiss because, if they didn't, there would be too many visual distractions to notice and analyze.LESSATTRIBUTION DETAIL »
For universal love is as special an aspect as carnal love or any of the other kinds: all forms of mental and spiritual activity mu...st be practiced and encouraged equally if the whole affair is to prosper. There is no cutting corners where the life of the soul is concerned....LESSATTRIBUTION DETAIL »
Another appealing aspect to having grandparents is that they do help, to give [your child] a sense of continuity--of his place in ...the world and in the generations. Not only do grandparents help him intellectually to comprehend that there are parents of parents, but they also aid him in understanding where he fits in the succession of things. Even a very young child can begin to feel a sense of rootedness and history.LESSATTRIBUTION DETAIL »
Love is like some fresh spring, first a stream and then a river, changing its aspect and its nature as it flows to plunge itself i...n some boundless ocean, where restricted natures only find monotony, but where great souls are engulfed in endless contemplation.LESSATTRIBUTION DETAIL »
Crime is a fact of the human species, a fact of that specieas alone, but it is above all the secret aspect, impenetrable and hidde...n. Crime hides, and by far the most terrifying things are those which elude us.LESSATTRIBUTION DETAIL »
One should speak of television's cold light, and why it is inoffensive to the imagination (including the imagination of children).... It is innocuous because it no longer conveys an imaginary, for the simple reason that it is no longer an image. Here it contrasts with the cinema which (though increasingly contaminated by television) is still endowed with an intense imaginary--because it is an image. This is not simply to speak of film as a mere screen or visual form, but as a myth, something that still resembles a double, a mirror, a fantasy, a dream, etc. None of this is in the TV image. It doesn't suggest anything, it mesmerizes.... It is only a screen or, better, it is a miniaturized terminal that immediately appears in your head (you are the screen and the television is watching you), transistorizes all your neurons and passes for a magnetic tape--a tape, not an image.LESSATTRIBUTION DETAIL »
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a t...race of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.LESSATTRIBUTION DETAIL »