Family living can go on existing. Very many are remembering this thing are remembering that family... living living can go on existing. Very many are quite certain that family living can go on existing. Very many are remembering that they are quite certain that family living can go on existing.LESSATTRIBUTION DETAIL »
The work is rather too light, bright, and sparkling; it wants shade; it wants to be stretched out here and there with a long<...br />chapter of sense, if it could be had; if not of solemn specious nonsense, about something unconnected with the story; an essay on writing, a critique of Walter Scott, or a history of Buonaparte, or anything that would form a contrast, and bring the reader with increased delight to the playfulness and epigrammatism of the general style.LESSATTRIBUTION DETAIL »
Blake and Goethe were individualists par excellence, uncompromisingly protective of their single vision. In both Faust Part II and... The Four Zoas, emphasis on the universality of the poet's message contrasts with the resistant texture of a compressed style and the striking complexity of the mythological machinery. Blake likes to emphasize that he is not writing for the simple-minded; Goethe takes a teasing pleasure in keeping philologists busy. Faust and The Four Zoas are dramatic epics of Humanity, but embodied in a mythic language whose uniqueness and quirkiness are jealously guarded. Blake never published The Four Zoas, though it culminates his early prophecies and provides the indispensable key to the later ones. And Goethe refused to allow Faust Part II to be printed in its entirety until after his death. Both poets postponed the public's discovery of their central works; secrecy was enforced as long as it could be.LESSATTRIBUTION DETAIL »
The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off... slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.LESSATTRIBUTION DETAIL »
Evidently there are plenty of people in journalism who have neither got what they liked nor quite grown to like what they get. The...y write pieces they do not much enjoy writing, for papers they totally despise, and the sad process ends by ruining their style and disintegrating their personality, two developments which in a writer cannot be separate, since his personality and style must progress or deteriorate together, like a married couple in a country where death is the only permissible divorce.LESSATTRIBUTION DETAIL »
What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself fe...lt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.LESSATTRIBUTION DETAIL »
During the years 1945-1965 (I am referring to Europe), there was a certain way of thinking correctly, a certain style of political... discourse, a certain ethics of the intellectual. One had to be on familiar terms with Marx, not let one's dreams stray too far from Freud.... These were the ... requirements that made the strange occupation of writing and speaking a measure of truth about oneself and one's time acceptable.LESSATTRIBUTION DETAIL »
I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm..., and impressions are permanent.LESSATTRIBUTION DETAIL »
Hawthorne--like Poe--became a kind of virtuoso in the fiction of the inner life: the only novelist from New England as subtle as E...merson and Dickinson. He was able to present in the current style the extraordinary burden on the New England mind of the past, its moral introspection, its unending self-confrontation. Poe, his only equal in the "tale," was really a convert to aesthetic medievalism, an apologist for slavery, order, and hierarchy, a writer of "grotesques and arabesques" who saw the power of blackness as personal damnation and a way of practicing literary terror. It is the force of the repressed that Poe made his drawing card, the power not of the past but of the dead, as phantoms preying on unsleeping guilt. Hawthorne remained a child of Puritanism, rooted in the village, the theocracy, the rule of law, the numbing force of convention. Poe, by contrast, is forever homeless, landless, seeking a visionary home in some Platonic heaven of eternal Beauty, writing his most poignant poems out of a profound homesickness that operated as a curse.LESSATTRIBUTION DETAIL »
Gonzo journalism ... is a style of "reporting" based on William Faulkner's idea that the best fiction is far more true than any ki...nd of journalism--and the best journalists have always known this.... True gonzo reporting needs the talents of a master journalist, the eye of an artist/photographer and the heavy balls of an actor. Because the writer must be a participant in the scene, while he's writing it--or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.LESSATTRIBUTION DETAIL »